摘要
龙门石窟造像艺术在唐代达到鼎盛阶段,在造像艺术上逐步形成了独特的时代风格,这与当时唐代的社会文化背景有着深厚的联系。龙门石窟以大量的造像艺术从不同的视角反映出唐代辉煌的政治与经济文化,甚至国家统治者的宗教观念,对当代中国的民族文化在石窟造像艺术中的应用有深刻的启发。本文将其着眼点放在解析唐代龙门石窟造像艺术的三大特色上,并分析了该特色在唐代出现的社会文化因素,以及唐代社会流行的崇尚丰腴的审美心理对龙门石窟造像艺术中的影响。
The statue art of Longmen Grottoes reached its peak in Tang Dynasty, and gradually formed a unique style of the times in sculpture art, which was closely related to the social and cultural background of the Tang Dynasty. Longmen Grottoes, in a large number of statues art, reflect the splendor politic, economy and culture of the Tang Dynasty, even the rulers of religious ideas from different details. It inspires the application of national culture to the grotto art. This paper focuses on analyzing the three characteristics of Longmen Grottoes statue art in Tang Dynasty. It also analyzes the social and cultural factors of its occurrence in the Tang Dynasty and the influence of the Tang Dynasty＇s plump beauty on Longmen Grottoes statues in art.
出处
《家具与室内装饰》
2017年第9期42-43,共2页
Furniture & Interior Design
基金
武汉市科技型中小企业创新基金项目计划(2007-38)
关键词
龙门石窟佛教艺术
社会文化
造像特色
唐代
丰腴美
Long men Grottoes Buddhist Art
Social culture
Statue characteristics
Tang dynasty
Plump beauty
