摘要
协奏曲"老海顿C"虽然不及海顿另外两首在音乐会上演奏频率极高的C大调与D大调大提琴协奏曲著名,但它代表了巴洛克时期器乐协奏曲创作的最高水平。进入大提琴高级阶段的练习者,其音准、节奏、把位感有了相当的基础,对音乐的风格、情绪特征有了自己的理解,演奏技巧和音乐感受力也有了一定的能力,因而研习"老海顿C"是恰当的曲目选择。对这一作品的特征与演奏要点进行分析,可帮助练习者规范演奏基础与技巧,把握古典主义作品风格,感受海顿音乐富有朝气、淳朴快乐的生命情绪及典雅、高贵的艺术气质。
Though not so well-known as his C major and D major cello concertos which are played at concerts so often, Haydn＇s cello concerto in C major No. 5, nevertheless, represents the acme of Baroque instrumental concerto creation. For cello practitioners at the advanced stage with a considerable foundation in pitch, rhythm and sense of position, an understanding of musical styles and emotional characteristics and a certain capacity for performance and musical sensibility, practicing Hayden C is a natural choice. An analysis of the characteristics and performance of this concerto can help the practitioners perfect their playing skills, grasp the style of classical works and feel the vibrancy and nobility of Haydn＇s music.
作者
张宝君
ZHANG Bao-jun(Department of Orchestral Instruments, Zhejiang Conservatory of Music, Hangzhou 310024,China)
出处
《美育学刊》
2017年第5期73-80,共8页
Journal of Aesthetic Education
关键词
“老海顿C”
作品特征
演奏要点
教学意义
Haydn
cello concerto in C major
characteristics
analysis
significance
