摘要
欧洲知识界于18世纪前后爆发的"古今之争",作为文艺复兴与启蒙运动两大思潮间的一股暗流,近年来愈发得到国内外学界的重视。斯威夫特的《书战》也因其透视"古今之争"的标本意义而渐被涉及,但学界在展开关联研究时也有误读:或简便地将斯威夫特划归至"崇古"阵营,忽略了文本"脱文"作为叙事艺术所包含的暧昧性,或忽略了其对"蜘蛛"、"蜜蜂"形象创造性挪用背后的深意,对此类被忽略因素的探察有助于还原斯威夫特对"古今之争"的复杂态度。
In the European intellectual circles,back to the threshold of 18^（th） century,La Querelle des Anciens et des Modernes was a prodigious issue which can be regarded as a sub-torrent that linked the Renaissance and the Enlightenment.Jonathan Swift as the writer who broke through the deadlock of the Quarrel,his works and thoughts are typically meaningful.Among all those studies that related to Swift and the Quarrel,however,many of them were misreadings,which either ignored the missing words as a narrative strategy or the creative treason of images of the bee and the spider.Yet probe of thoseignored factors can be helpful to recover Swift＇s real attitude toward the Quarrel.
出处
《广东外语外贸大学学报》
2017年第4期42-48,共7页
Journal of Guangdong University of Foreign Studies
关键词
“古今之争”
斯威夫特
《书战》
误读
思想史
La Querelle des Ancienset des Modernes
Jonathan Swift
The Battle of Books
misreadings
history of thoughts
