摘要
纪录片《轮回》是美国电影导演和摄影师罗恩·弗里克继纪录片《天地玄黄》之后的突破性力作。作为一部新纪录电影,《轮回》既没有对白和旁白,也没有字幕,甚至连人声都被去除。尽管没有语言叙事,但画面却意蕴观点,且层次清晰。在生与死的循环往复之间,映射出三重命题:人的自身价值、人类文明发展以及人与自然的关系,并一一作出真实的表达。透过延时摄影、移轴摄影、人像摄影的表现手法,糅合超现实主义的艺术风格,《轮回》以独特的构图视角和美学张力诠释了"生命如同不停旋转的车轮流转循环。"
Ron Fricke is an American film director and cinematographer.His documentary Samsara is a masterpiece with new breakthrough after his former documentary Baraka.As a New Documentary Film,Samsara has no dialogues,narration,subtitles,and even the human voice has been removed.Although without language narrative,the picture is meaning of the view with clear level.Between the cycle of life and death,Samsara reflects a real expression for three propositions,including one＇s value as a human being,the development of human civilization and the relationship of man and nature.By using the means of Time-lapse photography,Tilt-shift photography and Portrait photography and blending the artistic style of Surrealism,the documentary Samsara explains the intension of ＂Life seems as a revolving wheel that never stops＂ with a unique perspective of composition and aesthetic tension.
出处
《湖南工业大学学报（社会科学版）》
2017年第1期121-124,共4页
Journal of Hunan University of Technology(Social Science Edition)
