摘要
港片《一念无明》在现实主义与兴观怨的传统里铺陈当代香港社会"癫狂"的一面,吁求"同理心"和"责任感",同时也暴露出疯癫与文明、传统与当代的多重裂隙:以理性、科学为主导的现代文明是以"温柔的暴力"判决、监控、排斥、规训"疯癫"而显现其"文明"的,前现代的传统道德伦理则难以解决自由伦理时代香港强竞争性社会的体制性问题。而该片过于强调道德伦理的基调甚至阻碍了其向更深刻的艺术性进发的路径。
Hong Kong film Mad World describes the contemporary Hong Kong society＇s ＂madness＂ aspect in the realism tradition and the ＂enlightening, observing, and criticizing＂ tradition, calls on empathy. Meanwhile, It exposes multiple gaps between madness and civilization, tradition and the contemporary era： The rational and scientific oriented modern civilization reveals itself through judging, monitoring, rejecting, disciplining ＂madness＂ by using ＂soft violence＂, and the traditional morality and ethic of premodern times are difficult to solve the institutional problems of a strong competitive society in the age of the ethics of liberty.
出处
《电影艺术》
CSSCI
北大核心
2017年第4期75-78,共4页
Film Art
基金
2017年中国博士后科学基金第10批特别资助项目(编号2017T100343)与第61批面上资助项目(编号2017M611769)阶段性成果
关键词
《一念无明》疯癫
文明
传统
当代
Mad World, madness, civilization, tradition, the contemporary era
