摘要
人物研究是艺术史研究的重要领域,是艺术史研究中跨学科研究的重要体现。当人物兼具跨文化、跨领域的特质时,搭建一个艺术史人物研究网络,提炼其艺术精神,寻求艺术人物研究的独立语境与独特的学科范式尤为重要。本文从分析艺术史发展困境入手,主张多层面、跨学科的艺术史研究;以搭建多维艺术网络与提炼文化核心为路径,探索艺术史研究界域与研究方法 ;以近代社会活动家、音乐学家王光祈作为人物研究个案,通过对其艺术史坐标的分析,挖掘中国艺术家的多重身份与中国文化核心,使艺术史研究更趋完整。
In the art history research, figure study is a necessary part and the important reflection of the interdisciplinary research. When the figure possess the intercultural and interdisciplinary traits, it is particularly important to summarize his artistic spirit in a research network so as to explore the independent context and unique form of the figure study. The current author makes an analysis on the predicament in art history development and advocates the multilevel and interdisciplinary research. By building the multidimensional art network and abstracting the culture core, the author also makes an effort to seek the research scope and method. This paper takes Wang Guangqi as the example in the figure study, who is a social activist and the musicologist in modern China. Through analyzing his position in the art history, the author attempts to explore the multiple identities of Chinese artists and the spirit of Chinese culture and then improve the academic research on art history in China.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2017年第6期134-143,共10页
Journal of National Museum of China
关键词
艺术史人物研究
艺术史研究方法
王光祈
Art history
figure study
research methods in art history
Wang Guangqi
