摘要
立足于列奥·施特劳斯与哈贝马斯关于现代性理论的纲领性文献，可以发现其中具有内在关联的三大主题。审美奠基主义作为德国观念论的直接后果，构成了双方批判现代性危机的起点。进而，对主体问题的否定批判与肯定转换，孕育了古典政治哲学与批判社会理论两套思想方案。双方的思想立场相互对立，并折射不同的政治意义。从思想史角度考察双方共享的现代思想主题及思想语境，既有助于反思国内学界的“施特劳斯热”，又初步尝试建立批判理论与古典政治哲学之间的对话关系。
Based on Leo Strauss and Habermas＇s programmatic document on modernity theory, this paper explores the three themes which are inten＇elated, and analyzes their similarities and differences. First of all, as a direct consequence of German idealism, aesthetic foundationalism constitutes the starting point for both sides in terms of criticizing the crisis of modernity. Moreover, the negative criticism and affirmative transformation of the question of subject will lead to two different thought plan which are classical political philosophy and critical social theory. Thirdly, that the positions of the two sides are opposed to each other reflects different political significance. Final- ly, to investigate the themes of modern thought and their context shared by two sides from the perspective of intellectual history confers benefits on reflec- ting ＂Strauss fever＂ of the domestic academic circles, as well as establishing the dialogue between the critical theory and the classical political philosophy.
出处
《文化研究》
CSSCI
2017年第1期50-68,共19页
Cultural Studies
