摘要
内海内外博物馆共藏有四本传为元钱选《洗象图》图像,作者通过对图像风格特征、细节变化以及题跋的研究,发现其中既有假画假跋,也有假画真跋,进而尝试判断四本传钱选《洗象图》出现的先后顺序及年代。此外,作者在此基础上讨论了晚明吴人作伪的现象和晚明之前对《洗象图》的认识。
The research is conducted in the essay into the four paintings of The Elephant at A Bath(Xǐ Xiàng Tú in Chinese pinyin) generally believed to be created by Qianxuan who is a painter of the Yuan dynasty from the style, preface and postscript as well as the interpretation on them aiming for the time they appeared in turn in history. They now are respectively collected in the museums at home and abroad. The essay also talks about the Wu School painters being involved in the true-and-false composition of The Elephant at A Bath in the late-Ming dynasty and how much the people understood The Elephant at A Bath before that.
出处
《故宫博物院院刊》
CSSCI
北大核心
2017年第3期107-124,共18页
Palace Museum Journal
基金
国家"万人计划"青年拔尖人才支持计划资助
关键词
洗象图
普贤
弘道
晚明吴人作伪
The Elephant at A Bath
Samantabhadra
Hongdao
the Wu School painters being involved in the true-and-false composition of The Elephant at A Bath in the late-Ming dynasty
