摘要
北宋李公麟《维摩演教图》中的壶门榻、壶门足承、须弥座、莲花足承这4件家具为笔者研究北宋的佛教家具的设计和制作提供了重要的图像参考依据,通过对这4件家具结构、形制、装饰的深入解析,能窥探到北宋佛教家具设计的一些关键性特征,以及文人审美对其设计与制作的影响。剖析图中的家具及其背后的影响因素能为读者在缺少实物的语境下认识北宋佛教家具提供一些参考。
The Sit couch, Kun-MenZuCheng, Xu-MiZuo, Lian-HuaZuCheng are four pieces of furniture in the painting of ＂Wei Mo Yah Jiao Tu＂ created by the Northern Song Dynasty＇s Li Gonglin, those four pieces of furniture provide us with significant graphic values to the research of Buddhism furniture design and manufacture, through the deep analysis of the structure, shape and decoration expressed within those four pieces of furniture, we are able to uncover some key characteristics demonstrated in the process of Buddhism design during the period of the Northern Song Dynasty. In addition, some impacts imposed by the scholars can be seen in the Buddhism furniture design, whose view of beauty had played an important role in its design. Besides, some effective guidance can also be obtained by analyzing the furniture in the graph and hidden factors that linked to the design although in the circumstances of lacking true works of the Northern Song Dynasty Buddhism furniture.
出处
《林产工业》
北大核心
2015年第10期44-46,62,共4页
China Forest Products Industry
基金
江苏省社科基金项目<宋代佛教家具研究>(编号:11YSC013)阶段性成果
关键词
《维摩演教图》
北宋
佛教
家具
＂Wei Mo Yan Jiao Tu＂
The Northern Song Dynasty
Buddhism
Furniture
