摘要
"我为山川代言"是中国山水画论中体现人与自然关系的一个典型命题,虽立论于中国艺术美学,但在生态美学视野中,隐含着一系列体现人与自然关系的生态美学与哲学话语,分别对应于生态美学研究的三个层面:人为自然代"言"的本质内容("生生本体论")、代"言"的方式("生命整体性认识论")、代"言"的价值("生生价值观")。从生态智慧角度阐释"我为山川代言"命题,可为生态美学提供一套中国独特的哲学与美学话语,从而在某种程度上孕育构建生态艺术美学的可能性。
＂Spokesman for Shan-shui＂ is a typical proposition in Chinese landscape painting to reflect the relationship between man and nature. Though established in Chinese artistic esthetics, the fundamental question of ecological aesthetics is about the relationship between human and nature, which contains three aspects ： the ontology of ecological aesthetics （ ontological nature）, way of utterance （ epistemology of ecological aesthetics）, and the value of ecological aesthetics （ value perspective）. From the perspective of ecological aesthetic wisdom to interpret this proposition, it will not only provide discourses about Chinese aesthetics and philosophy, but also possibly construct a new mode of ecological-art aesthetics.
出处
《江苏行政学院学报》
CSSCI
北大核心
2017年第3期31-37,共7页
The Journal of Jiangsu Administration Institute
基金
山东省社科规划委托研究重大项目"生态美学研究"(16AWTJ03)的阶段性成果
关键词
“我为山川代言”
生态美学
中国山水画论
生态艺术美学
Spokesman of Shan-shui
Ecological Aesthetics
Theory of Chinese Landscape Painting
Ecologicalart Aesthetics
