摘要
以苗族芒筒芦笙乐舞的表演形态的变迁为研究对象,采用田野调查法、文献法和比较的研究方法,研究目的是为了厘清丹寨县苗族芒筒芦笙乐舞表演形式的古今变迁,认为芒筒芦笙是苗族文化的重要组成部分,是苗族人民的智慧、精神、信仰和价值取向载体之一,展现着苗族历史文化的发展轨迹。传统的苗族芒筒芦笙乐舞使用于祭祀仪式中。随着行为艺术的发展,芒筒芦笙乐舞也使用于节日庆典、迎宾及各种文艺演出中。它其表演形态也随之发生了诸多的改变,体现出其娱人娱己的社会功能。
This paper takes the performance transition of Mangtong Lusheng music and dance of Hmong as the research subject by means of field investigation, literature, and comparison methods to clear out the performance transition of Mangtong Lusheng music and dance of Hmong in Danzbai Coun- ty. The result shows that Mangtong Lusheng is an important component of Hmong culture, a carrier of gathering the Miao people＇s wisdom,spirit,faith and value orientation,and a reflection on the develop- ment trace of Hmong history and culture. Traditionally, Mangtong Lusheng music and dance is used for the sacrificial ceremony. However,with the development of performance art, it can be applied into the festival celebration and many artistic performances and its performance form has the social function to amuse other people and ourselves.
出处
《黔南民族师范学院学报》
2017年第2期119-124,共6页
Journal of Qiannan Normal University for Nationalities
基金
2016年黔南民族师范学院教学内容与课程体系改革项目"贵州高校芦笙乐舞课程教学内容体系改革研究"(2016xbkjx0415)阶段性成果
关键词
苗族芒筒芦笙乐舞
丹寨县
表演形式
变迁
Hmong
Mangtong Lusheng music and dance
Danzhai County
performance forms
transition
