摘要
2016年年末,互联网上围绕着豆瓣"恶意差评"这一事件,产生了一场强烈的舆论风波。透过这场风波,我们可以看到,围绕着象征资本的流动与积累,豆瓣网站形成了一个以审美自律为指向的网络审美共同体,而网络影评是其成员网络自我呈现与象征资本交换的重要途径。但电影不仅有着作为"第七艺术"的审美艺术这一维度,而且也有作为电影制作的工业技术维度,也有作为产业经济的票房市场维度,还有作为国家软实力输出的文化交流维度等,这诸多面相是当代艺术生态多样性与复杂性的体现,也是网络影评众语喧哗、异彩纷呈的基础。
At the end of 2016, there was a heated debate on the Internet concerning the issue of ＂negative comments＂ on Douban Website. Looking at this debate, we can see that, based on the flow and accumula- tion of symbolic capital, an aesthetic community is formed which is Internet - based and aesthetic self - dis- cipline oriented. Furthermore, film review on the Internet is an important means through which the Internet users interpret themselves online and exchange the symbolic capital. Film has not only the dimension of aes- thetic art as the ＂seventh art＂, but also has the dimension of industrial technology in the film industry. In addition, film has the dimension of box office market in the industrial economy and the dimension of cultural exchange in the export of national soft power. These multiple aspects reflect the diversity and complexity of the contemporary artistic ecology, which is also the basis of the furious and diversified online film review.
出处
《民族艺术研究》
2017年第2期57-62,共6页
Ethnic Art Studies
关键词
网络影评
豆瓣网站
象征资本
审美自律
产业经济
film reviews on the Internet, Douban website, symbolic capital, aesthetic self- discipline, in-dustrial economy
