摘要
作为特定的历史事件,南京大屠杀不容置疑,许多电影工作者尝试以影像的形式再现这段人间灾难。以张艺谋导演的《金陵十三钗》为例,从历史灾难与影像记忆的角度,对比分析其视角选择与影视改编过程中所体现出的文化价值观,反思南京大屠杀这一历史灾难及其艺术再现,希冀更好地铭记这段历史。
As a special historical event,the Nanjing Massacre can not be denied,and many directors have tried to represent the human disaster in the movies.This thesis,taking The Flowers of War as an example,chooses from the aspect of historical calamity and visual memory,and compares and contrasts the perspectives chosen and the cultural values embodied in the adaptations,thus reconsiders the historical disaster and its artistic representation,hoping to remember without doubt the special event of Nanjing Massacre.
出处
《南京邮电大学学报（社会科学版）》
2013年第1期102-109,共8页
Journal of Nanjing University of Posts and Telecommunications(Social Science Edition)
关键词
南京大屠杀
历史灾难
影像记忆
Nanjing Massacre
historical calamity
visual memory
