摘要
"南京大屠杀"题材电影对于日本官兵的形象塑造有所不同,既有脸谱化的"恶魔"形象,也有人性化的具有反思能力的"普通人"形象。在塑造日本官兵形象时,要考虑到其是否具有历史真实性与普遍性,并由此反思南京大屠杀中人性之恶的深层机理。"南京大屠杀"题材电影还表现了中国人的抗争精神与国民性反思。"南京大屠杀"题材电影人性叙事的边界在于不能违背史实,要考虑到中国人的情感认同,坚守民族立场;也要处理好人性叙事与创伤记忆的关系,表现创伤历史中的中国人个体的生命体验与记忆。
Nanjing Massacre films have different images of Japanese officers and soldiers.There are both evil images and humanized ordinary people images.In shaping the image of Japanese officers and soldiers,we should take into account the historical reality and universality,and then reflect on the deep mechanism of the evil of human nature in Nanjing Massacre.Nanjing Massacre films also show the Chinese people’s resistance and national self-examination.The boundary of the narrative of human nature in Nanjing Massacre films lies in abiding by historical reality,considering the emotional identity of Chinese people,sticking to the national position.It is also necessary to deal with the relationship between the narrative of human nature and traumatic memory,showing the life experience and memory of Chinese individuals in the traumatic history.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第2期195-206,212,共13页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金项目“‘南京大屠杀’题材电影的创伤叙事与历史书写研究”(16CZW013)
