摘要
据《乾隆添减底账》记录,乾隆三十一至三十五年间有四次于上元佳节前后上演侉戏,其演出所用黑炭数量与唱曲所用炭煤总量相当,说明二者所演剧目数量相差不大,能够连演十四日也说明侉戏在当时的宫中已经存在一批帝后认可的常演剧目。另外,宫中冬季取暖烧水以红罗炭为佳,黑炭次之,煤又次之。侉戏演出全用黑炭而唱曲则主要用煤,从另一个角度说明侉戏在乾隆中期宫内受关注的程度已经超越昆曲。
The Kua plays were put on stage four times before and after the Lantern Festival from thirty-first to thirty-fifth year of emperor Qianlong according to the Accounts of Qianlong Period. The accounts also shows that the amount of charcoal consumption during the Kua play is roughly the same as the coal consumption during the Kunqu opera performance, which means the two kinds of plays are even in number. Continuous performance in fourteen days means Kua play has gained the emperor and queens＇ recognition and a number of operas have become routine in court. The Hongluo charcoal is the best in terms of winter heating in court, followed by charcoal, which Kua play needs and then coal, which is used in Kunqu opera. It proves that the emperor and queens more enjoyed the Kua plays than Kunqu opera.
出处
《兰台世界》
2017年第8期115-118,共4页
Lantai World
关键词
《乾隆添减底账》
南府
连台本戏
侉戏
南府总管
the Accounts of Qianlong Period
Nanfu
the serial Chinese plays
Kua plays
the manager of Nanfu
