摘要
归有光是清代文学评论中的焦点人物,其形象在清代学者的批评总结中完成了"经典化"的历程。清人对归有光的讨论大致延续钱谦益与王夫之的批评理路展开,重点关注了归有光文章的文辞与义理两个层面,而讨论的对象则是归有光的《史记》评点及其自身文学创作。在清代复杂的文学流派与文人群体论争中,归有光成为一个符号性的人物,其形象也不断地被重塑着。支持者赞其文法可学,反对者批其文章无道,而对其他问题则皆视而不见,彰显了文学经典化历程的曲折走向。
GUI You-guang is the focus of the literary criticism in Qing Dynasty, and his image is shaped in the process of ＂canonization＂ in Qing Dynasty scholars＇ criticism and conclusion. People in Qing Dynasty con- tinue QIAN Qian-yi and WANG Fu-zhi＇ s criticism to the discussion of GUI You-guang, which is focused on GUI You-guang＇ s rhetoric and academic.The topic of the discussion is GUI You-guang＇ s Shift commentary and his literary creation. GUI You-guang becomes a symbolic character, his image has been constantly remod- eled in the dispute between literary schools and scholars in Qing Dynasty. Supporters praise his grammar, op- ponents criticize his article without academic, and other problems are ignored, which show the twists and turns of the process of literary canonization.
作者
诸雨辰
ZHU Yu-chen(School of Chinese language and literature, Beijing Normal University, Beijing 100875, China)
出处
《求是学刊》
CSSCI
北大核心
2017年第2期131-138,共8页
Seeking Truth
基金
国家社科基金重大项目"中国古代散文研究文献集成"
项目编号:14ZDB066
中央高校自主项目"中国古代文评专书全编"
项目编号:SZZY2014072
关键词
归有光
经典化
《史记》评点
多维解读
GUI You-guang, literary canonization, Shift commentary, multidimensional interpretation
