摘要
回文词的创作发展到清代达到了最高峰,不仅题材内容有所扩大,形式上也有了更多的变化。一些从明代开始出现的因素,如通篇回文和诗词互动的方式,在清代得到了广泛的响应和发展。清代词人在创作回文词时,处理了更为复杂的长短句结构,体现了驾驭语言的能力。清代出现了一些重要的创作回文词的作家,都很有创造力。如丁澎创作了19组回文词,不是像一般人那样回环为同一调式,而是回环为另外一调,进一步开拓了回文词的创作空间。顾长发则专门撰写了一部回文词谱:《诗余图谱》,不仅试图对回文词的历史进行总结,而且相关作品主要由其本人创作,反映出回文词在清初已经成为一种不可忽视的现象。从尊体的角度看,词学的发展,往往是从诗歌中寻找资源。清人创作继承宋人,在回文词的创作上争奇斗艳,这正是他们试图提升词的地位的重要方式之一。
The writing of Huiwen ci poetry reached its peak in the Qing Dynasty,which was largely broadened both in content and form. Some elements firstly appearing in Ming,such as throughout textual Huiwen as well as the interaction between shi and ci,were widely echoed. The Huiwen ci writers of Qing handled more complex structures of long and short sentences,and showed higher language competence which is very creative. Ding Peng,for instance,wrote 19 groups of Huiwen ci poetry. Unlike the usual mode,his writings showed the changed tones between stanzas,thus further broadened the writing space. Gu Changfa,as a ci writer and critic,wrote a book about Huiwen ci：Shiyutupu. This book tried to summarize the development of Huiwen ci in history and what is more important,the main writings belonged to his own. Therefore,Huiwen ci poetry in the beginning of Qing,has already become an important literature phenomenon. From the aspect of respecting the style,the source of ci is usually from shi. The writers of Qing inherited from the writers of Song,and broadened the writing space of Huiwen ci poetry,already demonstrating the importance of upgrading the ci writings.
出处
《复旦学报（社会科学版）》
CSSCI
北大核心
2017年第1期97-105,共9页
Fudan Journal（Social Sciences）
关键词
清代回文词
传承
发展
尊体
Qing Dynasty
Huiwen ci poety
inheritance
development
respect the style
