摘要
对2009年以来七部抗战剧中女性角色的原型解读表明,抗战剧中大致存在着母亲原型、女性英雄原型、红颜祸水原型三类原型,创作主体是在母性崇拜、英雄崇拜等集体无意识支配下完成了对抗日女性群像的想象性书写。然而,由于消费文化和传统性别无意识的影响,抗战剧中的女性角色始终作为男性悲情英雄的追随者、成全者而存在。
The prototypical interpretations o nese war since 2009 show that the authors have trait under the domination of However, due to the influence heroines always remain as the f the female characters in completed the imaginative such collective unconsciousness of consumer culture and tradit followers and ministrants to the as materna the seven writing of 1 worship, dramas of anti--Japa- the female group por- heroic worship etc.. ional gender unawareness, the roles of the male characters with pathos.
出处
《徐州工程学院学报（社会科学版）》
2017年第1期1-5,共5页
Journal of Xuzhou Institute of Technology：Social Sciences Edition
基金
国家社科基金项目"新媒体语境下政治认同的建构路径研究"(15BXW062)的阶段性成果
关键词
抗战剧
女性群像
原型
drama of anti-Japanese war
female group image
prototype
