摘要
作为一次新型的网络民族主义行动,"帝吧出征"具有自我表演的特征,其目标消费群体与其说是海峡对岸的台湾民众和媒体,不如说是出征参与者本人以及大陆的媒体和网民。在一个祛魅的商业化和个人主义时代,"帝吧出征"为青年网民提供了集体英雄主义的想象。同时,作为新媒体事件的"帝吧出征",与国家政治保持着微妙的关系,并隐隐透露出一种令人担忧的帝国心态。
As a new type of cyber-nationalistic action, ＂D8 expedition＂ was a self-performance. Its targeted audience was not so much the publics and media across the Taiwan Strait as the participants themselves and mainland media and Internet users. In a disenchanted era of commercialization and individualization, ＂D8 expedition＂ gave young netizens an opportunity to imagine collective heroism. At the same time, as a new media event, ＂D8 expedition＂ was in a delicate relationship with state politics and betrayed the uneasy overtones of an imperial mentality.
出处
《国际新闻界》
CSSCI
北大核心
2016年第11期25-32,共8页
Chinese Journal of Journalism & Communication
关键词
网络民族主义、
表演
、新媒体事件、
话语型构、
复魅
cyber-nationalism, performance, new media event, discursive formation, re-enchantment
