摘要
"家"作为每个人日常生活的发生之处,包含着人与空间、人与物、人与人的三重关系。在2015—2016年度开展的中国理想家和日本理想家项目中,家不仅仅是建筑师对未来生活状态与居住空间的设想,也承载了后福特时代背景下通过"家"而产生的对新的产业形式的思考。文章将通过家的上述三重关系来阐述在中国理想家和日本理想家中,作为产业形式的家是如何将居住者、生活场景、空间与多重产业相结合的。这些产业既包括了房地产、家电、建材等传统相关行业,也包含了建筑领域之外的诸如车辆、能源、文创、物流等其他行业。
As a place where life happens, the notion of ＂home＂ consists of three sets of relations： human and space, human and object, and between human themselves. China and only as an n 2015-2016, House Vision projects in Japan consider the notion of home not architect＇s vision of future lifestyle andliving space, but also as a way of exploring new forms of production in the age of Post-Fordism. The article attempts to interpret these projects in terms of the three sets of relations mentioned above, so as to understand how home as a form of production can act as a nexus of inhabitant, living scenario, space and multiple industries. These industries not only include the ones that normally associated with architecture such as real estate, household appliances, and construction materials, but also involve ones as automobile, energy, creative industry, and logistics that are beyond the architectural realm.
出处
《时代建筑》
2016年第6期82-87,共6页
Time + Architecture
关键词
理想家
后福特式生产
家的产业形式
House Vision
Post-Fordist Production
Home As a Form of Production
