摘要
长期以来研究者执着于对《恢复》诗集艺术性的探讨,反而遮蔽了该诗集解读的多种可能性。作为一部诗集,《恢复》艺术价值并不高,但文本的混杂性甚至艺术上的种种缺陷却恰恰可能是探究国民革命失败以后郭沫若心理变化的切入口。"革命后"的种种挫败感是探索郭沫若心理状态时不能忽视的情感要素。一方面,几首与女性、故乡、童年相关的诗歌乃是种种挫败之后诗人自我治疗和自我重建的象征;另一方面,离开革命中心的郭沫若丧失了在现实中行动的可能性,诗歌就变成了诗人达成愿望的一种间接途径,诗人通过语言的暴动来代替行动的欲望,由此也带来了《恢复》的诸多特点及艺术缺陷。
Scholars have been focusing on the art of the collection of poems Reconvalescence for a long time, but ignoring its other possible interpretations. As a collection of poems, Reconvalescence' s art value is not very high, but its hybrid text and a variety of defects are good entry points to discuss GUO Moruo' s psycho- logical changes after the failure of the National Revolution. The frustration was an important emotion of GUO Moruo after the revolution. On the one hand, several poems about women, hometown and childhood were a kind of symbol of self healing and self reconstruction after GUO Moruo' s experience of kinds of frustration. On the other hand, when leaving the revolution center, GUO Moruo lost the possibility of acting in the world. Poetry became a kind of indirect way for GUO Moruo to reach his desire. The poet used language det- onation to replace the desire for action with many traits and artistic defects of Reconvalescence.
作者
杨佳韵
YANG Jiayun(College of Chinese Literature and Language, Beijing Normal University, Beijing 100875, China)
出处
《宜宾学院学报》
2016年第11期40-45,70,共7页
Journal of Yibin University
关键词
恢复
郭沫若
心理探微
挫败感
自我治疗
语言的爆裂
行动替代
Reconvalescence
GUO Moruo
mental state
frustration
self healing
language detonation
substitute for acting