摘要
1920年代中期,中国文坛发生了深刻变化,许多作家为响应革命而左转。在这场变革中,作为早年注重自我表现的作家,丁玲的左转具有代表性的意义。丁玲首先困扰于如何书写革命的问题,她在多篇创作谈中记录了主体心态变化以及相应的写作困境。丁玲创作风格的养成与危机显示出立足个体自我表现的文学生命力衰退的过程,其赖以成功的内心叙事在此转变为传达自我与社会关系断裂的症候性问题,进而吁求一种更具能动性的写作伦理。丁玲左转中的复杂心态详尽体现在其创作谈以及以个人形象为原型的小说中,这些创作谈和小说创作从主体与文学形式的角度提供了考察“五四”文学向革命转型的个性案例。
In the mid 1920s,profound changes took place in the Chinese literary world,and many writers turned left in response to the social revolution. In this transformation,Ding Ling,as a writer who paid most attention to self-expression in her early years,turned left with representative significance. Ding Ling was first troubled by the problem of how to depict revolution. She recorded the change of the subject’s mentality and the corresponding writing dilemma in many writing talks. The cultivation and crisis of Ding Ling’s writing style shows the process of the decline of literary vitality based on individual self-expression. Her successful inner narrative turns into a symptomatic problem of the rupture of the relationship between self and society,and then calls for a more dynamic writing ethics. Ding Ling’s complex mentality in her left turn is reflected in her creation talks,including novels based on her personal image. These creation talks provide individual cases to investigate the transformation of the May 4th literature to the revolution from the perspective of subject and literary form.
作者
孙尧天
SUN Yaotian(Department of Chinese Language and Literature,East China Normal University,Shanghai 200241)
出处
《中国文学研究》
北大核心
2023年第1期196-204,共9页
Research of Chinese Literature
关键词
丁玲
左转
创作谈
革命
主体
Ding Ling
turn left
on creation
revolution
subject
