摘要
在当代全球化传播技术背景下,对"地方性音乐知识"的关注日渐升温。《传承与传播:全球化背景下贵州苗族音乐研究》是一部在全球化语境中讨论"地方性音乐知识"当代传承与传播的学术著作。该书通过描述与阐释、比较与反思、批评与重构等策略将贵州苗族音乐的民间传承与传播、现代媒介传播、学校教育传承等方面置于新的当代全球视野中去进行考察。其主要特点有四:一是实验音乐民族志研究:全球化背景下"地方性音乐知识"的现代性变迁;二是多元主体"共在"的差异性对话研究;三是通过边缘反观中心的缺失:中国传统音乐的主体性重建;四是文本写作的真正意义:研究者与研究对象的理解与对话。
Under the background of modern global media technology people are paying more attention to 'regional music knowledge'. Zhang Yinghua's book Inheritance & Dissemination, Studies on the Miao Nationality Music from Guizhou Province in the Global Background is a scholarly writing in the field. Its four main features are as follows: 1) the modern evolution of 'regional music knowledge'; 2) conversation on the diversified entity and its differences; 3) reverse consideration from the margin on the missing of the center; 4) dialogue between the researcher and those being researched, which is the true meaning for this essay.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2016年第3期130-133,8,共4页
Journal of Nanjing Arts Institute:Music & Performance
关键词
全球化
地方性音乐知识
传承与传播
苗族音乐
主体性
globalization
regional music knowledge
inheritance and dissemination
Miao music
subject
