摘要
当代西方文学批评中的物质文化视角为解读福克纳作品中各种物质细节书写提供了新的研究路径。斯诺普斯三部曲中各种和木头相关的"物质无意识"书写所汇聚的物质体系呼应了南方特定历史时期环境破坏的各个节点,揭示了福克纳对于他所处时代南方腹地所经历的巨大社会变革的回应和矛盾态度。此外,和木头相关的"物质无意识"书写标记了以变迁书写见长的大师在宏大变革语境中呈现环境的独特审美意蕴。
This paper studies the writings of ＂The Material Unconscious＂ connected with wood in William Faulkner＇s Snopes Trilogy from the material cultural perspective, explores how the entire wood objects correspond to every stage of environmental destruction in the specific period of American South and furthermore uncovers Faulkner＇ s special aesthetic features in writing about the environment. The writing of ＂The Material Unconscious＂ connected with wood in Snopes Trilogy implies Faulkner＇ s response and self-conflicting attitude towards the huge social changes of the American Deep South in his time. Faulkner＇ s special preference in the representation of environment in a grand context of change highlights his unique aesthetic features of environmental writings.
出处
《山东外语教学》
2016年第5期72-78,共7页
Shandong Foreign Language Teaching
基金
作者主持的国家社科基金青年项目"美国‘南方文艺复兴’文学的道德重构研究"(项目编号:13CWW022)的阶段性成果
2015年江苏省高校优秀中青年教师和校长境外研修计划资助
江苏省高校"青蓝工程"中青年学术带头人培养计划资助
关键词
威廉·福克纳
斯诺普斯三部曲
环境书写
“物质无意识”
物质文化视角
William Faulkner
Snopes Trilogy
environmental writings
＂The Material Unconscious＂
material cultural perspective
