摘要
诗集《恶之花》中的组诗《巴黎风貌》,最能代表诗人波德莱尔对都市世界的观感与体验,敏锐地捕捉了现代文明的缺陷与都市病,通过兼及巴黎都市从整体宏观到具体标志微观的空间书写,从丑陋的事物中开掘新的审美意象,对乌托邦的美好世界、人的现实沉沦及都市病予以诗意呈现,展示出色彩浓丽的都市画面,既在参与都市生活的诗意书写中获得了审美超越,又开启了诗歌的"空间书写",是波德莱尔现代性观念的诠释,创造了一种新的与现代性相联系的"瞬间体验"审美范式,达成了对都市现实和现代人精神困境的审美超越。
＂ Air of Paris＂,as a part of the poetry ＂ The Flower of Evil＂ written by Baudelaire,represents mostly the perception and experience of the poet for the city life and keenly captures the defects and pathosis problem of the city. Through the spatial writing from the whole figure to the specific signs of Pairs,and extracting the aesthetic images from the ugly things and poetically presenting the pursuit for utopia,degradation of people living in Pairs,and the pathosis problem of the city,the poet creates a kind of new aesthetic paradigm of ＂ instantaneous experience＂ between his poems and modernity and realizes the aesthetic transcendence; therefore,Baudelaire gives a relatively good interpretation for modernity.
出处
《黔南民族师范学院学报》
2016年第4期28-33,共6页
Journal of Qiannan Normal University for Nationalities
关键词
波德莱尔
巴黎风貌
感官美学
空间书写
现代性
Baudelaire
＂Air of Paris＂
sensory aesthetics
spatial writing
modernity
