摘要
赋体"用瑞"是指在赋体创作过程中援引符瑞或直接以符瑞为述写对象。赋体"用瑞"在两汉时期的流行、魏晋六朝时期的衰落以及在唐代时期的复兴,展示了赋家赋体观念的演变历程:两汉时期,赋体创作承载"致用"理念,溢美王权政治,赋体与符瑞契合无间;魏晋六朝时期,赋体创作摆脱经学桎梏、关注民生体悟,赋体与符瑞渐趋疏离;唐代时期,科举试赋,赋体创作凸显王权话语,赋体创作与符瑞再度融合。这种赋体与符瑞的疏离融合状态,反映出各个时代赋家对政治诉求与关注的程度不同。
Using or referring auspicious signs in the Fu proses was prevailing in the Hart Dynasty. It declined in the Wei, Jin and Six Dynasties,and revived again in the Tang Dynasty. This process shows up the evolution of the idea of Fu from the Han dynasty till the Tang Dynasty. In the Han Dynasty,Fu was bearing the function of po- litical utility and flattering the imperial power, so the auspicious signs corresponded to the Fu style perfectly ;In the Wei, Jin and Six Dynasties ,Fu got rid of the canonical Confucian bandage and focused on people＇s life expefiences,so the Fu style departed from auspicious signs;In the Tang Dynasty,Fu was used in imperial examination, so the imperial power discourse was highlighted again in the Fu style. The alienation or integration between Fu and auspi- cious signs reflects the degree of political concern of the Fu writers in different periods.
出处
《南京师范大学文学院学报》
CSSCI
2016年第3期13-18,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社会科学基金一般项目"先唐符瑞文化研究"(编号:13BZW057)
关键词
赋体“用瑞”
赋体观念
Fu
using auspicious signs
the concept of Fu style
