摘要
蒋孔阳美学的性质和意义这一本质地关涉其自身之理解和阐释取向的问题,是蒋孔阳美学思想研究的基础性问题。蒋孔阳美学奠立在唯物史观这一革命性哲学根基之上,并由此获得和确立了基本取向甚至定向。由此哲学根基来透视和评估,蒋孔阳美学的性质和意义大致可从如下三个基本点来澄清和阐明:一、以马克思"存在论革命"即"感性的活动"(或实践)或"对象性的活动",而非某种抽象的、天真的假设或假定为基础,来进行美学思考和探索;二、实质地击穿了形而上学美学"意识的内在性"封闭建制,直面和贯穿"对象领域";三、在思想路径上不再沿袭形而上学美学的"知识论路向",而走上"生存论路向"。这为实践美学一脉的探索和发展提供了一种新思路。
The nature and the signifi cance of Jiang Kongyang's aesthetics, which is basically linked to its understanding and interpretation, are basic issues in the research of Jiang Kong-yang's aesthetics. The revolutionary philosophy foundation of Jiang Kongyang's aesthetics is the historical materialism, which establishes his theoretic orientation. Therefore, the nature and the signifi cance of Jiang Kongyang's aesthetics can be clarifi ed from the following three main points. Firstly, its philosophical basis should be Marx's 'ontology revolution', namely 'the perceptual activities'(practice) or 'the objective activities', rather than some abstract and naive hypotheses, to promote aesthetic thinking and exploration. Secondly, it has fundamentally disintegrated 'the internality of consciousness' of modern metaphysics aesthetics, with the result that is to face and penetrate 'the fi eld of object'; Thirdly, as for thought paths, it hasn't followed 'the epistemological orientation' of modern metaphysical aesthetics, but led to 'the ontological orientation'. This has probably provided a new way of thinking for the explorations and developments of practical aesthetics.
出处
《上海文化》
北大核心
2016年第8期16-24,124,共9页
Shanghai Culture
