摘要
二人台对歌源自民歌,在中国古代文化中有深刻的文化根基,与中国古代对唱体文学作品一脉相承。中国古代的对唱体文学从《诗经》"楚辞"一直到汉、唐乐府,一路走来在乐府诗词中得以成熟、定型,采用分时定格联章的体式和丰富的对唱方法,为后世民间对歌提供了充分的养料。二人台对歌中反复、重迭的对唱方法,以及问答对唱、帮腔对唱等均是对古代对唱优秀的艺术因素的继承与整合。
The antiphonal singing in Er-ren-tai originated from folk songs,there are profound cultural foundation in ancient Chinese culture,In line with the body of literary works in ancient China. The ancient Chinese literature from the duet book of songs,songs of Chu until the Yuefu of the Han and Tang dynasties,being matured and shaped. It in accordance with the Fixed form and association chapter of songs by time frames and rich singing method,provide sufficient nutrients for future generations of folk songs. Er-ren-tai singing in antiphonal style repeatedly,overlapping the duet,and with the style of Wenda and Bangqiang are the inheritance and integration of ancient art outstanding elements of singing.
出处
《忻州师范学院学报》
2016年第4期11-16,共6页
Journal of Xinzhou Teachers University
关键词
二人台
对歌
分时定格联章
Er-ren-tai
responsorial singing
fixed form and association chapter of songs with the time frames
