摘要
文章通过对"作乐"及与之相关概念的评析,结合《作乐:演奏和聆听的意义》一书的内容,探讨了该书的价值以及作乐理论对当下音乐表演研究的价值。
Musicking is both an art behavior and a social behavior,but as a political behavior in the final analysis. Whether we act as performers,listeners or other roles taking part in performances,we will feel them beautiful just because those performances form an inner agreement with the ideal in our minds.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2016年第2期117-122,5,共6页
Art of Music(Journal of the Shanghai Conservatory of Music)
