摘要
马蹄藏族乡民族文化艺术节作为公共的意义空间,具有多面性与节庆空间复杂性的特点。本文从"中心一边缘"视角,对文化艺术节中国家话语的渗透,当地政府的经济、政治诉求与当地群众的差异性的自主性表达进行分析,探讨"中心"对"边缘"的影响,及其在这种不平等的对话下"边缘"社会如何发挥能动性,进行自主性表达。在传统的"中心一边缘"视角基础上,应强调"边缘"的主体性,关注"中心"与"边缘"的对话与互动。
The cultural and artistic works in the public space in Hoof Tibetan Village are characteristic of diversity and complexity in meaning.In light of ＂Centre-Periphery＂ theory,this paper analyzes how the national discourse,the economic and political appeals from the local government,and the diverse expressions for autonomy from the local people have been embodied in the cultural and artistic works during the minority ethnic festivals;it also explores how the center impacts the periphery and under this favorable condition how the periphery exercises initiatives and makes autonomous expressions.It is proposed that more attention should be given to the subjectivity of the periphery and the interaction between the center and periphery.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2016年第1期75-83,共9页
Journal of Lanzhou University（Social Sciences）
关键词
“中心-边缘”
民族节日
文化展演
自主性表达
马蹄藏族乡
＂centre-periphery＂
minority ethnic festival
cultural performance and show
autonomous expression
Hoof Tibetan Village
