摘要
张江先生提出"强制阐释"的观点并非单纯在西方文学研究中存在,也表现在借鉴西方文论研究成果解读古代文学作品的过程中,得出的结论不仅背离了文本的历史语境,也削弱了文本的文化意义。杜诗作为中国古典文学的代表,集中体现了中国文化的特质。但20世纪以来的杜诗研究也存在着"强制阐释"的嫌疑,对其展开分析,有助于我们从新的切入点认识杜诗的艺术魅力,从而分辨出"强制阐释"的意义所在。
Mr. Zhang Jiang proposes the viewpoint of ＂compulsive illumination＂. The compulsive illumination does not only exist inwestern literature research, but exists in the process of the inteqaretation of ancient literature works by the reference of western literatureresearch achievements, so that their obtained conclusions are not only deviating from historic context of the texts but also weakening theculture significance of the texts. Dufu＇ s poetry, as a representative of Chinese ancient classic literature works, intensively embodiesChinese cultural feature, but the Dufu＇ s poetry research since the 1900s has had the suspicion on ＂compulsive illumination＂, there-fore, analysis of the research is helpful for us to understand the charm of Dufu＇ s poetry from a new angle so that we can distinguish themeaning of ＂compulsive illumination＂.
出处
《重庆工商大学学报（社会科学版）》
2016年第2期124-128,共5页
Journal of Chongqing Technology and Business University：Social Science Edition
关键词
杜诗研究
杜诗学
强制阐释
文论研究
诗学研究
Dufu＇ s poetry research
Dufu＇ s poetry
compulsive illumination
litrature research
poetry research
