摘要
20世纪40年代的中国文学呈现出“文化综合”的面貌。宗教与文学这两种文化形式也在这一时代融合交织，在文学作品中体现出一种“文化宗教精神”。以张爱玲、徐讦、鹿桥和无名氏四人为代表的作家们便以宗教为精神立足点，以文学为手段，将文学与宗教作为那个动荡时代生存的慰藉，探索和思考人生的意义与永恒价值所在。
In 1940s', the Chiese literature appeared as the combination of many kinds of cultures, including religion and philosophy.Zhang Ai - ling,Xu Xu, Lu Qiao and Wu Ming - shi are authars of this kind. 'Religious culture spirit' is a concept based firstly oncultural meanings and secondy on the religious meanings. It is an ideal pursuit of which authors lived in 1940s took to surpass thechaos from external surroundings. They have always been searching the living meaning and during which they had a relation with reli-gion blankly or self - consciously. And the most important thesis is religion resemblance with philosophy. During the course of lookingfor the life meaning, authors learn and expeess 'death', which is an unsurpassable phenomenon to human being. For that, works in the1940s' took a new look because of the particular society and abatract considerations.
出处
《文史哲》
CSSCI
北大核心
2002年第3期22-26,共5页
Literature,History,and Philosophy
关键词
40年代文学
文化宗教精神
意义
死亡
the literature in 1940s；religious culture spirit；meaning
death
