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艺术生产与系统更新——“创客创客:第二届CAFAM未来展”的学术思考 被引量:2

Art Production and System Innovation——Some Academic Thoughts on Observer-Creator: The 2^(nd) “CAFAM Future” Exhibition
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摘要 "CAFAM未来展"致力于推动中国青年艺术发展,成为融合展览展示、调查走访、资料汇编、国际联通的综合体。"创客创客——中国青年艺术的现实表征"作为主题来概括当下的青年艺术前沿实践,并以此作为契机,大胆构筑未来的艺术走向的蓝图。第二届CAFAM未来展也突破了一般展览的导览、讲座、对话模式,设立了创客工作坊、创客马拉松、创艺术开口秀、创客探访计划等实践性和参与性更强的活动,还邀请了不少成熟的创客组织和平台进入到展览内部,现场邀请观众共同进行创意行动。整个展览的策划过程,其实也像一个"创客"的过程,大家不断参与讨论,激发创意思维,这些创意思维并不仅仅限定在展什么样的作品上,而是如何创新展览项目自身。对于本次展览而言,"创客"实际上就是中国青年艺术"现实"与"未来"的连接点,这也正是我们策划本次展览的核心目的。 "CAFAM Future" Exhibition is more than an exhibition-- aside from artwork display, it also contains surveys, data compilation, and international communication. Aiming at promoting the development of Chinese young art, it encourages young artists to explore artistic languages and concepts, and at the same time, it discovers and supports talented young Chinese artists in a forward-looking way and builds up archives for them. It also plays the role of improving the influence and recognition of China's modem art among Chinese audience and in the world. In the context that youngart exhibitions have been springing out since 2008, the primary problem faced by CAFAM Future is how to stand out with unique characteristics and advanced concepts and practice. This time, Xu Bing and Jean de Loisy acted as chief curators,
作者 盛葳
机构地区 <美术>杂志
出处 《天津美术学院学报》 2015年第4期24-29,共6页 Northern Art:Journal of Tianjin Academy of Fine Arts
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