摘要
上世纪八十年代以降的寻根作家,在"越是民族的就越是世界的"文学意识和文学观念的倡导之下,几乎都热衷于对异域风俗进行细致描摹,以期从中挖掘本民族的内在文化传统和深层文化结构。在这过程中,为了更为有效地发现、挖掘和传布那些异域风俗中的丰富文化传统与隐秘文化结构,寻根作家往往采取多种叙事策略。虽然这当中呈现出不同的叙事方式,但也有明显的共性,一是通过解释与说明的手段来达到艺术真实;二是通过置换变形与虚构手段来达到对民族文化的想象。寻根文学的这种民俗叙事与现代文学和延安文艺的民俗叙事有着不同的动因,从而也体现出其在美学意义上的独特性。
Under the guidance of the literature consciousness and idea of "the more national,the more global",root- seeking literature authors are almost all keen to a detailed depict of exotic customs since the 1980 s,so as to excavate the inherent cultural tradition and deep cultural structure within their nations. In the process,in order to discover,excavate and spread the exotic customs' rich cultural traditions and hidden culture structures more effectively,root- seeking literature authors often tend to adopt a variety of narrative strategies. Although they present different narrative modes,they have obvious commonality. One is that they achieve artistic truth through the explanation and illustration method; the other is that they imagine national cultures by means of displacement deformation and fiction methods. The folk narrative of root- seeking literature has different motivations compared with that of modern literature and Yan'an literature,and thus it reflects its uniqueness in the aspect of the aesthetic sense.
出处
《烟台大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第1期62-71,共10页
Journal of Yantai University(Philosophy and Social Science Edition)
基金
教育部人文社会科学青年基金项目"少数民族视野下的沈从文
老舍比较研究"(13YJC751061)
关键词
寻根文学
民俗
叙事策略
root-seeking literature
folk
narrative strategies