摘要
林风眠美育实践的明确宗旨和鲜明特色之一,便是通过立足于学校,大胆采用开门办学的方式,倡导艺术运动。他在杭州组建国立艺术院后,便以该校教师为基本队伍,成立了"艺术运动社",积极投身于新艺术运动。林风眠与艺专师生们将学校作为艺术运动的中心,除了在艺专校内经常举办各类规模不等的观摩和展览,发行艺术理论刊物之外,艺专的师生更是走出校外去办展,借以宣传艺术运动,扩大学校的影响,以期更好地促进美育的发展。
One of the clear aims and distinctive characteristics of Lin Fengmian＇s aesthetic education practice is to use the school as a haven of art activities and, when necessary, go outside it to promote art. After the establishment of the National Art College in Hangzhou, he set up the ＂ art movement association＂ , of which the faculty of the college constituted the core, and actively engaged in the new art movement. Lin Fengmian, his colleagues and the students all regarded the college as the center of the art movement. In addition to hosting frequent exhibitions and exchanges of varying scales in the college and publishing art theory journals, teachers and students of the art college held exhibitions outside the college as well, so as to pro- mote the art movement, expand the influence of the art college and better advance the development of aesthetic education.
出处
《美育学刊》
2016年第1期84-89,共6页
Journal of Aesthetic Education
基金
湖北省教育厅人文社会科学研究青年项目<中西绘画论争影响下民国美术教育思想研究>(2012Q012)的阶段性成果
关键词
林风眠
艺术运动社
美育实践
Lin Fengmian
art movement association
aesthetic education practice
