摘要
从1937年的"七七事变"到1949年中华人民共和国成立,战争语境贯穿了整个20世纪40年代,十余年间的诗学形态也与战争环境有一种内在的同构关系。抗战历史时段的中国版图被切割为国统区、解放区、沦陷区三个地域,也为40年代的诗学图景带来了多样性和复杂性。三个地区既分享了某种相似的历史氛围、诗学元素和理论特质,也同时表现出较大的诗学差异性,进而顺延到了1945年抗战胜利之后,贯穿了整个1940年代的诗学历史。基于这种诗学取向的驳杂性和丰富性,本文的写作采取片论的方式,尝试聚焦"民族形式与大众化""抒情的放逐""诗的形象化""乡土抒情""长诗与史诗""新的综合""以肉体去思想"以及"诗人论"等具体议题,以期多方位地呈现40年代诗论的繁复图景。
From the'July 7 Incident'in 1937 to the founding of the People’s Republic of China in 1949,the context of war spanned the entire 1940 s. The poetic form of this decade also had an internal isomorphist relationship with the war environment. During the historical period of the War of Resistance against Japan,the Chinese territory was cut apart into three regions,namely,the KMT-controlled area,the liberated area,and the Japan-occupied area. It also brought diversity and complexity to the poetic landscape of the 1940 s. The three regions shared some similar historical atmosphere,poetic elements and theoretical traits,and at the same time showed great differences in poetics,which lasted after the victory of the War of Resistance against Japan in 1945 and spanned the whole history of poetics in the 1940 s. Based on the miscellaneousness and richness of this poetic orientation,this paper adopts a piecemeal approach,trying to focus on such specific topics as'national form and popularization','unrestrained lyrics','poetic visualization','rural lyricism','long poems and epics','new synthesis','thinking with the body'and 'theories on poets',so as to present the complex landscape of poetic theories in the 1940 s.
作者
吴晓东
Wu Xiaodong(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第1期83-92,共10页
Journal of Peking University(Philosophy and Social Sciences)
关键词
1940年代
中国现代诗论
诗学驳杂性和丰富性
the 1940s
Chinese modern poetic theory
miscellaneousness and richness of poetics
