摘要
哲学作为时代的精神,影响并引领各艺术领域。中国传统园林艺术在3 000年的发展历程中,时代哲学美学作为艺术思想背后的总舵手,间接和直接地关照于园林发展的各个阶段,不断推涌出新的园林艺术形态。从哲学美学的角度出发,讨论不同历史时期的哲学美学特征对传统园林艺术的阶段性影响和传统园林艺术形态变革的必然性,提炼中国写意山水园的文化根基,并提出园林艺术在现代实践过程中,只有经过新一轮的成熟哲学美学洗礼与修正,才能真正实现继承文脉传统与现代观念的平衡。
As the spirit of era, philosophy plays a role that effecting and leading all aspects of all arts. During the development of three thousand years, Chinese traditional landscape art was influenced by the philosophy aesthetics（which plays as the main captain on top of art thinking） directly and indirectly on all stages, and new styles of landscape art come out continuously. The aim of this research is to reveal the inevitability of the changing of traditional landscape form as well as the cultural source of Chinese Xieyi Shanshui（freehand landscape） Garden. This research also pointing out that during the modern practicing of landscape projects, the balance of traditional culture and contemporary demands would settle down to a certain degree after the mature of new philosophical aesthetics.
出处
《中国园林》
北大核心
2015年第11期116-120,共5页
Chinese Landscape Architecture
关键词
风景园林
哲学美学
园林艺术
传统思想
文化
landscape architecture
philosophical aesthetics
landscape art
traditional thinking
culture
