摘要
没有人如鲁迅一般在中国现当代文学史上留下过如此浓墨重彩的痕迹,也没有人如鲁迅一般身上交织着文学与政治纷繁错杂的关系。从毛泽东的《论鲁迅》《新民主主义论》《在延安文艺座谈会上的讲话》开始,鲁迅在中国文坛上不容质疑的地位便逐渐形成,并愈发显示出一种与意识形态交相辉映的局面。此文从毛泽东在延安时期论述鲁迅的几部文本出发来讨论其对鲁迅形象的建构,从而探讨文学与政治的关系。
Lu Xun, greatly involved in a world of both literature and politics, enjoys such high prestige in the history of modern and contemporary Chinese literature that he overshadows all the others of his time. In Mao Zedong＇s On Lu Xun, The Theory of New Democracy, Speech Made in the Yan＇an Literature and Art Symposium, Lu Xun earns an unquestionable status in the history of Chinese literary world, and increasingly demonstrating a shiny reflection with ideology. Therefore, grounded upon several of Mao＇s works on Lu Xun written in the period of Yan＇an, this paper discusses the construction of Lu Xun＇s image, and further explores the interplay between literature and politics.
出处
《绍兴文理学院学报》
2015年第5期8-12,共5页
Journal of Shaoxing University
关键词
鲁迅形象
毛泽东
文学
政治
image of Lu Xun
Mao Zedong
literature
politics
