摘要
钦则画派作为西藏15世纪最重要的画派之一,是改变西藏艺术风格的重要力量之一,影响至为深远。贡嘎曲德寺壁画是该画派创始人钦则钦莫及其团队留下来的唯一作品,受到学术界的关注。限于资料不足,对于钦则画派的认知一直存在争议。本文在故宫博物院新近完成的该寺庙壁画数字化成果的基础上,通过细致的研究,认为整个祖拉康的壁画均为钦则钦莫及其团队的作品,并分析出钦则画派的主要特点。
m Khyen ris, one of the most prominent painting schools during the 15 th century in Tibet, played a far-reaching role in changing the Tibetan style of art. The wall painting of Gong dkar chos sde dgon(temple) was the only art legacy left by m Khyen brtse chen mo who was the founder of the painting school and his workshop, which has received attention from the scholars. But the debates over m Khyen ris(school) remains because of less information that has been extant. This essay therefore bases the following consideration upon the latest result of the digitalized painting of the temple that all the paintings in the main hall of g Tsug lag khang were created by m Khyen brtse chen mo and his team of artists together. The chief characteristics of the painting are also analyzed in this essay.
出处
《故宫博物院院刊》
CSSCI
北大核心
2015年第5期110-130,160,共21页
Palace Museum Journal
关键词
贡嘎曲德寺
钦则画派
钦则钦莫
贡嘎南杰
贡嘎派
Gong dkar chos sde dgon
m Khyen ris
m Khyen brtse chen mo
Kun dga' rnam rgyal
Gong dkar pa
