摘要
本文以莫高窟第156窟主室南壁及东壁南侧下部所绘《张议潮统军出行图》中的仪仗乐队为主要研究对象,通过仪仗乐队的功能、乐器属性等方面的归类,考证了晚唐时期归义军节度使统军出行仪仗乐队的编制、乐器以及乐舞配置,重点分析了出行图中出现的各类乐器的沿革、形制、材料和演奏形式,并结合相关史料,对归义军时期的音乐机构进行了合理地推论,以期在上述诸方面得出一定的结论。
On the south and east walls of the main chamber in Scene of Army） Zhang Yichao,＂ the subject of which was the governor Mogao cave 156 is a painting of the ＂Outing of the Gui-yi-jun （Return-to-Allegiance in the later Tang dynasty.This paper presents a textual research on the musical instruments, bandformations, and arrangements of musicians and dancers by classifying the functions of the ceremonial band and various items in the ＂Outing Scene of Zhang Yichao.＂ This analysis pays particular attention to the development, forms, materials, and performance types of various musical instruments based on relevant documents.
出处
《敦煌研究》
CSSCI
北大核心
2015年第4期25-34,共10页
Dunhuang Research
基金
国家科技支撑计划国家文化科技创新工程项目"丝绸之路文化主题展示服务系统及应用示范"(2013BAH40F02)
关键词
张议潮统军出行图
鼓吹前导
伎乐方队
乐器
归义军
音乐机构
＂Outing Scene of Zhang Yichao
＂ leading trumpeters
square team of musicians and dancers
musical instruments
Gui-yi-jun
music institution
