摘要
本文聚焦于中国当代科幻乌托邦叙事的多样性,以期对这一文类自晚清以来的发展历史进行梳理研究。本文通过对三位作家韩松、王晋康和刘慈欣作品的研究,主要探讨中国当前科幻小说新浪潮的三个主题:中国崛起、发展的神话和后人类叙事。由于不断变化的国家政治状况,今天的科幻小说将未来中国的乌托邦想象强化与复杂化:它混合了民族主义和乌托邦主义/恶托邦主义,具有更加尖锐的社会批评意识,同时将政治意识与科学话语结合起来,既写出了技术的权力,也表现了权力的技术。
This essay focuses on the variations of utopian narrative in contemporary Chinese science fiction to trace the genre＇s historical development since late Qing Dynasty. Analyzing the works of three writers, Han Song, Wang Jinkang, and Liu Cixin, this essay examines three themes that characterize China＇s new wave of SF： China＇s rise; the myth of development; and post-human narrative. Deeply entangled with the politics of a changing China, science fiction today both strengthens and complicates the utopian vision for a new, powerful China： it mingles nationalism with utopianism/dystopianism; sharpens social crit- icism with an acute awareness of China＇s potential for further reform as well as its limita- tions ; and envelops political consciousness in scientific discourses on the power of technol- ogy or the technology of power.
出处
《中国比较文学》
CSSCI
北大核心
2015年第3期101-114,共14页
Comparative Literature in China
关键词
乌托邦
科幻新浪潮
中国崛起
发展的神话
后人类叙事
Utopia
the new wave of SF
China＇s rising
the myth of development
post- human narrative
