摘要
李清照与张玉娘在诗词中多以自己为参照,描绘了大量的女性角色。二人笔下的形象分为婚恋前的清纯少女形象和婚恋后的妇女形象。婚恋前后女性形象的差异,集中体现了二人思想情感的转变。这既有家庭背景、成长环境及婚姻经历的影响,又有个人阅历的印记。在一定程度而言,这些鲜活的女性形象比之"男子而作闺音"的诗作更有灵魂。同时,也是女性意识在她们身上开始觉醒的典型例证。
In their poems, the poets Li Qingzhao and Zhang Yuliang described a lot of female characters referring to themselves. These female characters can be divided into the innocent girls before marriage and the ladies after marriage. The difference of the two kinds of female reflects the changes of their feelings, which was caused by the family background, the growing environment, marriage and life experiences. Compared with the female characters in the poems by male writers, the female characters in the poems by the two female poets seem to be more lively and spiritual. These female characters illustrate the awakening of their female consciousness.
出处
《四川文理学院学报》
2015年第4期83-86,共4页
Sichuan University of Arts and Science Journal
关键词
李清照
张玉娘
女性形象
Li Qingzhao
Zhang Yuliang
female image
