摘要
从吴晓邦"天马"的创作实验入手,探讨其实验追求,可通过个案研究管窥建国"十七年"舞蹈的创作生态格局,进而结合社会、政治、文化思潮阐释"天马"在特定语境中的特殊价值,揭示吴晓邦"新舞蹈"艺术的审美转型。同时,重提吴晓邦启蒙、思辨的创造精神,寻求民族之根与身份认同的文化自觉性,以期为当代舞蹈创作提供启示。
From Wu Xiaobang＇s experimental creation of ＂Tianma＂,the paper explores the experimental pursuit,and the ecological creation pattern of the seventeen years since the founding of new China with case studies. It expounds the special value of ＂Tianma＂in the specific context with social,political and cultural trends,and reveals the aesthetic transformation of Wu Xiaobang＇s ＂new dance＂art. Meanwhile,Wu Xiaobang＇s enlightenment and speculative spirit of creation can inspire contemporary dance creation along with the cultural consciousness of seeking roots and identity of the nation.
出处
《浙江艺术职业学院学报》
2015年第1期76-83,共8页
Journal of Zhejiang Vocational Academy of Art
基金
2012年浙江省社会科学界联合会研究课题项目<吴晓邦"天马舞蹈艺术工作室"的创作实验研究(1956-1964)>阶段性成果。(项目编号:2012B099)
关键词
吴晓邦
天马舞蹈艺术工作室
实验追求
Wu Xiaobang
Tianma Dance Art Studio
experiment al pursuit
