摘要
中国的壁画艺术历史悠久。在佛教传入中国之后,壁画艺术又迅速与宗教相结合,发展出了特色鲜明的宗教壁画艺术。被称为塔尔寺"艺术三绝"之一的壁画,便是宗教艺术、传统艺术与民间艺术相结合的产物。本文运用民俗文化学的理论和方法,在实地考察的基础上,对塔尔寺壁画艺术作了初步的研究。
China has a long history in mural art .It rapidly combined with religions after the introduction of Buddhism into China ,and so the religious mural art with lively features came into being .The mural art , as one of the named“The Art of Ruin”of Ta’er Lamasery ,is the product of combination of religious art , traditional art and folk art .This paper primarily studied it on the basis of field investigation by using the theories and methods of folklore culture .
出处
《青海师范大学学报（哲学社会科学版）》
2015年第3期120-127,共8页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
基金
国家社科基金项目"藏传佛教造型艺术的民俗文化学考察"(12XZJ007)
关键词
塔尔寺
壁画艺术
民俗研究
Ta＇ er Lamasery
mural art
folklore study
