摘要
作为审美意象创构论及"美是意象"观念的倡导者,朱志荣教授的理论体系,其思想在理论层面源于以《文心雕龙》为代表的中国古典美学,在思维方式层面则源自朱光潜的主客统一论。但是,这一理论体系却是不够健全的:它混淆了美与美的对象、美的观念之间的界限,也对审美意象的物质性和精神性模棱两可,而且欠缺理论建构的周延性和普遍性。朱志荣并未注意到意象范畴巨大的可塑性和现代性内涵,从而使其理论体系显得僵化。
Although Prof. Zhu Zhirong proposed theory of aesthetic image creation and thought of ＂Beauty is image＂, his theoretical system was flawed. Prof. Zhu not only confuses beauty, the object of beauty, and the concept of beauty, but also obscured aesthetic image the of materiality and spirituality. So his thought lacks circumspect and universality, also did not notice a huge plasticity and modernity of imagery category.
出处
《学术月刊》
CSSCI
北大核心
2015年第6期104-110,121,共8页
Academic Monthly
基金
国家社科基金重大项目"20世纪中国美学史"(12&ZD111)
哈尔滨师范大学优秀青年学者支持项目(SYQ2014-01)的阶段性成果
关键词
朱志荣
美
意象
Zhu Zhirong, beauty, image, discussion
