摘要
在中国古代赋学批评史上,自汉人以《诗》之"讽谏"评判赋的内容与思想,批评"虚词滥说",明确提出"赋者,古诗之流",词章与经义的矛盾始终充斥于中,成为既提升赋的思想价值,又贬抑了赋的艺术价值的理论"梦魇"。从"经"与"赋"的本原意义与引述方式着眼,通过"赋者"的生存环境与地位探寻其间的关联,且以唐、宋以降之"考赋"为个案,从中反思赋体文学依附经义的涂饰以及解消的命运。而经过对"词章与经义"之本原与功用的思考及分析,又可以对赋文学之"依经立义"与"赋体自在"问题有更深入的认知与理解。
In the history of ancient Chinese fu criticism, there are always conflicts between the rhetoric and the meaning of the classic, it is outline the value of the fu, and diminish the value of the fu. Through the research on the survival conditions of fu writers, and a case study of Tang and Song dynasty examination, to reflect on this kind of contradiction. Through the above research, we can have a better understanding of fu＇s theory.
出处
《社会科学》
CSSCI
北大核心
2015年第5期159-168,共10页
Journal of Social Sciences
基金
国家社会科学基金项目"中国辞赋理论通史"(项目编号:09BZW073)的阶段性成果
关键词
词章
经义
赋家
赋体
理论批评
the Rhetoric
the Meaning of the Classic
Fu Writers
the Style of Fu
the Theory of Criticism
