摘要
五七言诗体赋萌动于汉赋的"乱"辞,然而直到骈赋发展到顶峰而寻求新变的齐梁时期,诗体赋才得以出现。五七言和四六言分别是诗和赋的当体句式,二者虽节奏、音情效果迥异,然亦可相互转换。辞赋对五七言句式的吸纳,有瓦解赋体的危险,所以诗体赋未能成为辞赋家族中的大宗。
Five-or-seven-word poetical prose germinated in the ＂luan＂ Ci of Han Fu, however, until Qi and Liang Period that parallel-prose and rhyme-prose developed to the peak and searched for new variable, it was able to appear. Five and seven-word ＆ four and six-word are separately the current sentence of poetic prose. They have different rhythm and emotional effects of music, but could be convert each other . Because of the absorption of five and seven-word sentence to Cifu, Fu has the danger of collapse, so poetic prose failed to become the mainstream of the Cifu family.
出处
《武汉大学学报（人文科学版）》
CSSCI
北大核心
2009年第3期276-280,共5页
Wuhan University Journal (Humanity Sciences)
基金
国家社会科学基金项目(08CZW022)
湖南省教育厅优秀青年项目(08B080)
关键词
诗体赋
诗化
句式
poetical prose
poeticization
pattern
