摘要
宋以前《秋水篇》中的典故、成语虽多被引用,但全篇并未特别被加以关注与推崇。宋以后则渐被格外垂青,不少文人、书画艺术家、道流甚至于《庄子》中独标此篇。对此篇的评论、探讨也逐渐深入。对它同内篇《逍遥游》、《齐物论》诸篇之思想关联、篇中各寓言之间的结构联系、艺术技巧与审美特色等都有许多探骊得珠的评析。这在庄学研究中是一个非常值得关注、探究的现象。
Before the Song Dynasty, there were lots of citations on literary quotations and idioms in Autumn Waters, but the whole article was seldom paid special attention. After the Song Dynasty it was gradually favored by many writers, artists, taoists and others who all stressed on this article in Chuang-tzu and analyzed it in with Xiaoyaoyou and Qiwulun in terms of thought, structures of fables, worthy of attentionand explorationin the study of Chuang Tzu. depth. They also had on its associations art techniques and aesthetic characteristics. This phenomenon is
出处
《中国文学研究》
CSSCI
北大核心
2015年第2期23-28,共6页
Research of Chinese Literature
关键词
庄子
《秋水篇》
思想
艺术
Chuang-tzu
Autumn Waters
criticism
art
