摘要
基于安吉拉·卡特的《与狼为伴》小说文本来探讨德勒兹的"生成——动物"概念。文章认为卡特小说在童话与哥特式恐怖两端中间寻找一个不断生成的充满生命力的天地。结合故事文本,卡特通过颠覆理性的二元逻辑,利用故事叙事的时间特点,为"生成——动物"提供了场域,而"生成——动物"在对《小红帽》的戏仿中,在狼与人之间不断配置,生生不息。
Based on the text of Angela Carter＇s The Company of Wolves, the thesis carries out a study of Gilles Deleuze＇s theory of becoming-animal, holding that Carter＇s story attempts to find the animated world of becoming in between fairy tales and gothic terror. Overthrowing binary logic of reason and making use of the unique narrative time, Carter creates a field of becoming-animal in the text where becoming-animal deploys continuously between wolf and man, while parodying Red Riding Hood.
出处
《临沂大学学报》
2015年第2期78-81,共4页
Journal of Linyi University
基金
兰州交通大学青年基金项目--德勒兹后现代诗学研究(项目编号:2012045)阶段性成果
