摘要
小林正树被称为"日本影坛四骑士"之一,其电影中有大量关于日本传统文化的展示,最明显的是对武士制度及近代日本极权制度的反思批判,对民族元素的使用,对日本民间传说的展示。他对这些传统文化元素的展现并非浮于表面的"奇观化叙事",而是采用仪式化构图和推镜头的运用,用电影语言来建构寓言化的叙事,他对个体命运的悲悯是建立在对更大的制度批判的基础之上的。
Obayashi Masaki is known as one of the ＂four knights in the Japanese Movie＂. His movie demonstrates tremendous Japanese traditional culture, the most obvious characteristics incudes： the critical reflection on the Japanese knight system and modern totalitarian system, the use of national elements, displaying the Japanese folklore. His demonstration to the traditional culture is not based on the superficial ＂narration wonders＂, but adopts the ritualized construction and tracking shot, he uses the move language to construct the allegorical narrative, and his compassion for the fate of individual is based on criticism of a larger system.
出处
《商洛学院学报》
2015年第1期44-47,共4页
Journal of Shangluo University
关键词
小林正树
电影
美学
Kobayashi Masaki
movie
aesthetic
analysis
